![]() It stores sounds as spectrogram images, and contains a synthesiser, so it can turn those images back into sounds. You can explore the sound of images, and images of sound. Thus allowing for scaled differentiated support (cost) according to loyalty, while also facilitating dedicated offers to specific customers and channels (crossgrades, timed sales, etc), the way that Steinberg have been doing with Cubase and Spectralayers 6, seems like the way to go. The result is an application called Photosounder, which lets you play around with audio in the same way that youd play around with a picture. ![]() /A welcome to newcomers coming aboard, hoping their time invested in price search and the different offers available to get in, ultimately support the development work already invested, much the same way that old customers have been supporting it, some of us several times over. Updates and novelties are just around the corner. Pro-Q) but I wanted to make one that's simpler (in a minimalistic sort of way) but nevertheless that affords a lot of control. There are lots of great curve-based linear phase equalizers out there (e.g. ![]() has only recently completed a complete -years worth- rework of its custom software framework. Photosounder SplineEQ is our new spline-based linear phase equalizer plugin (VST/AU), available now in a free version and a commercial version. Also one of the early pioneers Photosounder by Michel Rouzic IZotope has been developing their AI and workflow technologies and last year the RX line skipped its anual update so it is bound to happen this year. Reaper DAW has incorporated an spectral editor and they are an important player. Perhaps Robin and the Hit’N’Mix developer Martin Dawe should persuade the Steinberg empire to finance a merge and conquer the spectral editor space.Īt 2020 there are other relevant players at the Spectral edition field. To my way of thinking the question is how close will SpectraLayers 7 be to Hit’n’Mix Infinity.
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